It’s amazing, really, that in the dazzle of costumes, projections, puppetry, lighting and even a mechanical Toto, Septime Webre’s new The Wizard of Oz still managed to remain a ballet. The Cuban-American dance maker, who recently left a longtime post at Washington Ballet to take a position at Hong Kong Ballet, is a gifted choreographer, […]
Read MoreWhen Septime Webre set about to create a ballet of The Wizard of Oz, he recognized the challenge facing anyone who adapts L. Frank Baum’s story: Audiences come with certain expectations. The key, as he and his designers had to confront right off the bat, is to satisfy those desires and to push us to a […]
Read MoreWhat strikes you first about Kevin Willmott’s Becoming Martin, which the Coterie Theatre commissioned it for its 40th anniversary, is the sharp craftsmanship and concise economy of its language. The play’s portrait of the teenaged Martin Luther King, Jr. uses dialogue that sounds so natural that you can easily believe that, although this is technically […]
Read MoreWest Side Story remains a bit of a conundrum. More than 60 years after its first appearance, it continues to fascinate for its mixture of conventional musical theater with ballet, witty lyrics on a Gilbert-and-Sullivan level, and a healthy dose of “opera.” Francesca Zambello’s high-end production, which opened at the Lyric Opera of Kansas City on […]
Read MoreIf there was one thing that 15-year-old Martin Luther King, Jr., knew for certain when he enrolled at Atlanta’s Morehouse College in 1944, it was that he did not want to become a minister like his father. As headstrong as he was precocious, the eager teenager felt that life as a church pastor could never […]
Read MoreIt’s hard to imagine a more apt time to be reviving West Side Story. For not only does 2018 mark the birth-centenaries of composer Leonard Bernstein and choreographer Jerome Robbins, whose contributions to this revolutionary work helped redefine American musical theater, but the themes of this path-forging “choreographed musical” are as relevant today as they were […]
Read MoreIf you haven’t heard of Open Spaces yet, chances are you’ll be getting an earful in the coming weeks. This sprawling, nine-week celebration of the visual and performing arts, which runs from August 25th to October 28th, will be dominating the city’s cultural scene this Fall with dozens of exhibits around Town (showing the work of […]
Read MoreOne of the strengths of the Kansas City arts community is that it takes to heart the notion that art is for everyone. The arts are not elitist: They form the heart and soul of our civilization: We forget that at our peril. KC’s 2018-2019 season begins with a fall rich in live presentations ranging […]
Read MoreAt least once a year, some enterprising Kansas Citian comes up with an idea for an arts organization that has us slapping our foreheads saying, Why didn’t we think of that? Our Town has certainly seen no shortage of visiting early-music groups (thanks to the efforts of several well-established arts presenters), and smaller groups have […]
Read MoreWhen Anthony Krutzkamp and Logan Pachciarz welcomed the audience to the Kansas City Dance Festival’s inaugural performance in June 2013, some doubted that such an endeavor could thrive in KC’s previously uneventful summer months. But these two former Kansas City Ballet dancers made it crystal-clear that KCDF was here to stay. “In our first curtain […]
Read MoreWhen stories linger in our collective imagination for thousands of years, told and retold in ever-evolving versions, it’s generally because they’ve touched a nerve. In theater, tales from myth and historical antiquity continue to crop up largely because writers find they contain ever-current truths about the human condition. From Jean Anouilh’s Antigone to Cole Porter’s […]
Read MoreIf you think you’re up-to-date about music in Kansas City but have ignored the world of the pipe organ, you aren’t really seeing the whole picture. Our city now boasts three of the most prominent pipe organs in the country (those at the Community of Christ Auditorium and Temple in Independence, and the new Casavant […]
Read MoreKansas City is about to experience the most culture-packed summer of its 168-year history. You heard it here first. With its dozens of ever-expanding theater companies, chamber ensembles, choral groups and dance companies; with a growing-like-Topsy Fringe Festival; with this summer’s massive National Convention of the American Guild of Organists; and with the new Open […]
Read MoreIt’s such common fodder for literature, stage and screen that it’s become almost cliché: two people who spend so much time exchanging verbal barbs that eventually their cohorts have to step in and help them realize they’re “made for each other.” From Pride and Prejudice to Bridget Jones’s Diary (not to mention Leia and Han, or […]
Read MoreIt’s largely by coincidence that the Kansas City Women’s Chorus and the Heartland Men’s Chorus have scheduled their Summer Concerts on adjacent weekends. But it’s win-win for Kansas Citians who care about the intersection of music and social justice: Each of these programs addresses broader issues that can often only be expressed through music. On […]
Read MoreIs opera music, or is it theater? That the best answer to that question is “yes” is part of what makes this art form so intriguing: The struggle over whether “la musica” or “la parola” (the word) should prevail in opera has raged since its inception around 1600. As I watched the Lyric Opera’s production […]
Read MoreTheater about economic disparities will always be current. From the master-servant dynamics of Shakespeare’s plays to close-to-the-bone American tales such as Death of a Salesman or even Stephen Karam’s recent The Humans, most of us can relate to plays in which the struggle to survive forms the very core of the drama. When Darren Sextro […]
Read MoreIf you like Stephen Sondheim’s musicals, chances are you’ll enjoy the Kansas City Repertory Theatre’s finely outfitted production of Sweeney Todd: The Demon Barber of Fleet Street, which runs through April 15th at Spencer Theatre on the UMKC campus. Rep Artistic Director Eric Rosen, who directed the show, has a keen intuitive sense for staging […]
Read MoreIn many ways it seemed inevitable that William Baker should become a choral director. Early in life two of the main strands of his existence, faith and music, began to merge through a series of unexpected events. When he was in his middle teens, a wise pastor coaxed the young Atlanta native back to the […]
Read MoreThe Kansas City Ballet is about to embark on an artistic voyage as challenging as any it has navigated. As part of its 60th anniversary “Diamond Jubilee” season it will present six big, demanding works of contemporary ballet, all brand-new to the company and all to be performed within a two-weekend period at the Kauffman […]
Read MorePeople seldom become opera singers willy-nilly. It’s a step-by-step process not unlike the acquisition of any other professional skill. It’s also an art-form, and thus success can be more elusive. But these days there’s a fairly fixed course of action for a career on the opera stage, and at the center of this process is […]
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