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26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.

ARTS CORNER

A HISTORY STILL BEING TOLD: KC Rep’s ‘Angels’ lifts us from our smug seats and slaps us in the face

By Paul Horsley Angels in America, currently playing at the Kansas City Repertory Theatre’s Copaken Stage, is an odd duck in American theater and is likely to remain so. Set during the height of the AIDS crisis in the mid-1980s, the two-part, six-hour epic contains some of the greatest writing by an American in modern […]

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JUST NORTH OF HERE: Chorale’s program of music by Canadians draws attention to America’s ‘other’ border

By Paul Horsley Even the humblest of choirs can sound good in a lush, warm acoustic, but it takes an excellent choir to come across as clear, accurate and well-balanced in a dry space. The Kansas City Chorale sounded lovely in its February 22nd concert “Oh! Canada! Music from North of the Border,” sung in […]

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JOYOUS MOMENT: KC Lyric tackles bold new opera asking ‘big questions’ about war

By Paul Horsley Silent Night is the product of a top-flight librettist, Mark Campbell, and a marvelous American composer, Kevin Puts, and it features some of the most beautifully intricate sets, projections and costumes that the Lyric Opera of Kansas City has put on the stage. Created and designed for Minnesota Opera and three other […]

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IN REVIEW: Harriman-Jewell delights with ‘Acis,’ KC Rep fascinates with ‘An Iliad’

By Paul Horsley You have to believe in Baroque opera to make it convincing, and Mark Morris believes in it absolutely. His Acis and Galatea, a delightful amalgam of dance, music, theater, costumes and lighting design, remains true to the madcap spirit of Handel’s original masque-opera, and on February 6th and 7th at the Kauffman […]

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SHE DIES, HE LIVES, THE END: KC Ballet seeks inner core of problematic classic

By Paul Horsley Rich Boy disguises himself as Poor Boy in order to win Poor Girl, who falls for him despite Mom’s suspicion there’s something a little “off” about him. Poor Girl, who has a heart condition, can’t stand the shock of finding out he’s actually engaged to Rich Girl. She dies and joins a […]

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REALMS OF GLORY: KC Rep takes on ‘Angels’ with preeminent storyteller at the helm

By Paul Horsley Maybe all you know about Angels in America is that it’s a monumental, mystical, two-part, seven-hour stage work that wrestles with gigantic subjects such as good and evil, sex and human frailty, love and hypocrisy, and death. Or that it changed the course of American theater. Or that it dealt with AIDS […]

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LAST LAUGH: Performance suggests that a composer’s final thoughts are his best—or are they?

By Paul Horsley Composers throw us a curve ball when they drastically revise works and leave the original for us to mull over alongside the new version. Of course there’s nothing that classical listeners love more than to debate the relative merits of the results: Dresden Tannhäuser, or Wagner’s more elaborate Paris/Vienna version? Bruckner’s original […]

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