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26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.

ARTS CORNER

FOLLY JAZZ AT 35: Top-drawer guitarist opens milestone season as local series offers international lineup

Lee Ritenour might not know exactly what he and his ensemble will be playing when they perform here on October 28th, at the glittering Opening Night of the Folly Jazz Series’ 35th Anniversary Season. But that doesn’t mean they’ll be arriving unprepared. In fact, the legendary 65-year-old guitarist, who has played with everyone from Sinatra […]

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IN REVIEW: CSO returns to Helzberg Hall for stirring encore performance

The Chicago Symphony plays like a well-oiled, meticulously hand-crafted engine, and an opportunity to hear it in a fine acoustic space is always a treat. In 2015, when the Harriman-Jewell Series brought the CSO for its first appearance here in nearly a half-century, Music Director Riccardo Muti was so delighted with the experience of performing […]

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IN REVIEW: EQUAL PARTS DANCE AND DRAMA: KC Ballet presents new version of durable classic

Devon Carney has already demonstrated his skill as choreographer in the four full-length ballets he’s created since becoming the Kansas City Ballet’s Artistic Director in 2013. What stood out in his Romeo and Juliet, which received its world premiere October 13th at the Kauffman Center, was the former Boston Ballet Principal Dancer’s unwavering skill as […]

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LOVE AMIDST THE TURMOIL: Rep enlists top director to steer Wilson production

Theater comes in all shapes and sizes, but the plays that stick with us tend to be those that hold up a mirror to our own joys and tragedies, our loves and weaknesses and ruined relationships. When August Wilson’s plays began to appear on prominent stages during the 1980s, many noticed immediately the birth of […]

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IN REVIEW: Lyric’s open-hearted ‘Onegin’ strikes to the core of the work’s humanity

The Lyric Opera’s handsome production of Tchaikovsky’s Eugene Onegin hit home partly because of its simplicity. The spare approach both to design and to direction, and the unfussy singing that managed to avoid excess (even as non-Russian-speakers labored to sing in Russian), allowed us to focus so intently on the drama that we found ourselves […]

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IN REVIEW: Performing-arts season opens with fine, variegated dance

Kansas City’s performing-arts season opened with a vengeance in mid-September, with more than a dozen professional-level productions of music, dance and theater vying for attention. Among the half-dozen or so I managed to take in, one that stood out (after Cliburn medalist Kenny Broberg’s recital, reviewed here) was the Harriman-Jewell Series’ presentation of Parsons Dance […]

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CAD OR VICTIM? Shattering Russian masterpiece opens Lyric Opera’s 60th-anniversary season

It’s true that many operas of the standard repertoire are drawn from stories that are implausible, overwrought or even downright ridiculous. Almost as often, though, composers find themselves setting literary masterpieces to music, and they are challenged to create a work that can at least function on its own terms, stand up to the mastery […]

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