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Backstage And Beyond

Evan Luskin, who joined the Lyric Opera of Kansas City in 1986 and has  been its general director since 1998, announced on March 15th that he would retire at the end of the 2011-2012 season, the company’s  first year in the Kauffman Center for the Performing Arts. Luskin, who led the Lyric from a small regional company […]

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Composers have long delighted in creating elaborate narrative “programs” for their instrumental works, then instructing us not to rely on the programs too much, or even asking us to ignore them altogether. At issue is a tension over whether a piece conceived programmatically can also stand on its own as “pure” music. Avner Dorman’s new Piano Concerto […]

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Can one woman change the direction of a culture? We all know the answer is yes, but it’s still gratifying to see it when it happens. Among her multifarious other accomplishments Valerie Naranjo —a native of Colorado who has played with the Saturday Night Live band and for the Broadway hit The Lion King — is credited with having helped […]

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It’s not often that a 12-minute piece by a living American composer proves to be the musical highlight of a two-hour concert of classical favorites. Usually the “modern” piece is that cacophonous thing that you grin and bear to get through to the good stuff. But at Friday’s season-opening concert by the Kansas City Symphony, […]

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Choreographer David Parsons’ earnest new piece Remember Me takes as its ambition to do Jesus Christ Superstar and Movin’ Out one better, by creating not just rock-opera or rock-ballet but rock-opera-ballet. Its conceit seems reasonable enough: to tell a love story through dance in collaboration with singers of the East Village Opera Company, a group that in recent years has achieved fame/notoriety for creating big-boned […]

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Are you as tired as I am of country singers and demagogues telling you what it is that makes America great? Freedom, family values, guns, pickup trucks. Choreographer Paul Taylor embodies, as much as any American I know, the values that have made this country strong:  At 79, he still works like the devil every day, using […]

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Octarium continues to refine its sonority and musical profile, and its distinguished concert on November 14 and 15, Modern Masters, showed that the group is gaining heft with leading choral composers around the country as well. The program included two world premieres and marked the release of a CD by the same title containing the music performed […]

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If you want to know what the six youngsters playing the lead parts in the Kansas City Ballet’s The Nutcracker think about what they do, just ask them. Not only can they pirouette, plié and jeté, these boys and girls aged 9 to 14 can also talk about dance with clarity, thoughtfulness and no small amount of humor. We recently sat […]

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If you are looking for just one holiday event to attend, the Kansas City Ballet’s The Nutcracker might not be the most inexpensive offering in town, but it’s probably the most solidly satisfying aesthetically. With Balanchine-inspired choreography by late artistic director Todd Bolender and delicious scenic and costume design by veteran Hollywood designer Robert Fletcher, it’s one of the […]

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The Kansas City Symphony has an intriguing array of soloists lined up for the spring, from superstars to newcomers, and the first one I’m looking forward to is Benedetto Lupo, a marvelous Italian pianist with a substantial European career who only recently has begun to attract due notice on these shores. Odd, considering that his career […]

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Musical groups of all kinds have drawn on word-play for their names — from the Beatles and the Rolling Stones to Chanticleer (Geoffrey Chaucer’s “clear-singing” rooster in The Canterbury Tales) and Anonymous 4 (a quartet named for the unknown author of a famous 13th-century musical treatise). But one Dutch vocal ensemble may have gone those groups […]

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Italian composer Luca Lombardi has admired the artistry of flutist Emmanuel Pahud since he first heard him play years ago. “I was very impressed not only with the beauty of the tone, but with the musical intelligence and sensitivity,” the 64-year-old composer said in a recent phone chat. “I like his earnestness but also his humor, his irony.” The two seemed […]

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Pianist Marc-André Hamelin has an uncanny ability to convince you, through the sheer force of his musical personality and will, that whatever he’s playing at the moment is the greatest music on earth — even music whose genius you might later, upon reflection, decide you’re not as sure about as he is. But at the moment he’s […]

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It’s an irresistible image, almost like a scene from a Werner Herzogmovie: the aging Albert Schweitzer — theologian, musician, philosopher, physician, Nobel Peace Prize winner, Johann Sebastian Bach biographer — sitting in his bungalow playing Baroque organ music, while outside his windows the sounds of Africa buzz and sing. Such was the inspiration for Lambarena, an ingenious CD […]

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One of the most electrifying pianists I’ve heard recently is a 19-year-old college student right here in Our Town. Uzbek-bornBehzod Abduraimov, a protégé of Van Cliburn Competition gold medalist Stanislav Ioudenitch at Park University, is quickly garnering international renown. On March 5th at the Folly Theater, pupil and teacher will perform a joint recital on Cynthia Siebert’s Friends of […]

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Sometimes a conductor of strong musicianship can make up for a multitude of orchestral sins. Such was the case, almost, on Saturday at the Folly Theater, when the Moscow Radio Symphony Orchestra offered an all-Tchaikovsky program on the prestigious Harriman-Jewell Series. The conductor, Alexei Kornienko, demonstrated a natural ease with Tchaikovsky’s music: The ebbs and flows of […]

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Verdi’s Rigoletto rings true because, like much great art, it deals in subject matter that most of us can relate to. A loving father smothers his teenage daughter with overprotective zeal, and the sheltered girl falls for the first guy who gives her the time of day. (The guy, naturally, turns out to be a jerk.) Old […]

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For about the first 20 years of my acquaintance with Joseph Flummerfelt’s artistry, I had no idea what he looked like. He was the silent presence behind great recordings of choral-orchestral works by the New York Philharmonic and other orchestras that I and many Americans cut our classical teeth on. As director of the Westminster College Choir […]

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Cellist Yo-Yo Ma is a restless soul. When he plays a piece like Schubert’s “Arpeggione” Sonata, which he has no doubt played hundreds of times, you can feel him struggle to take a new look at each phrase and gesture, each dynamic shading, each mood shift — so that the piece can remain fresh not just for […]

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Verdi’s Rigoletto is like a Lifetime Movie Network potboiler, complete with contrived crises, gratuitous violence and a cast of inexplicably mean characters who only occasionally seem like real people. The Lyric Opera’s current production rarely flinches from the work’s unseemly tawdriness, and that is, in some measure, its strength. It leaves us feeling even ickier than we […]

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It’s not often you get to attend a standing-room-only classical concert in Kansas City. So many choral fans showed up for the thrilling rendering of Brahms’ German Requiem at the UMKC Conservatory’s White Hall, featuring mega-conductor Joseph Flummerfelt and Conservatory forces, that the house managers left the entrances open so that the throng of overflow audience could hear the […]

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