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26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.

ARTS CORNER

Balanchine wizard helps KC Ballet prep for fall performances They are an elite group: the dancers and choreographers who worked and trained under George Balanchine, the greatest choreographer of modern times, over the course of a half century. After the great Russian-born émigré’s death in 1983 they scattered, spreading the Balanchine technique, methodology and artistry […]

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Renée Fleming’s program on October the 9th was two recitals in one, the first a hugely intelligent exploration of the early-20th-century German and Austrian lied, the second a generous serving of mostly Italian arias that shone light on a variety of operatic heroines. It was a worthy demonstration of two dynamics of Renée’s character: the intellectual curiosity […]

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Balanchine piece shows that ballet can be as fun as Broadway “It’s show business, my dears, we’re entertainers!” George Balanchine used to tell his dancers, and in few of his ballets is this notion more overt than in Slaughter on Tenth Avenue, which forms part of the Kansas City Ballet’s fall program running from October the 14th through […]

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Australian-born Stanton Welch, artistic director of the Houston Ballet, has established himself as one of the world’s most inventive choreographers. Dance fans in Our Town have had ample opportunity to see Stanton’s work thanks to the Harriman-Jewell Series, which has brought his company to town seven times beginning in 1979. On October 30 the Harriman presents Houston […]

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The Kansas City Chorale is in a remarkably good place these days, both institutionally and artistically. This week the multiple-Grammy-winning chorus of local professionals opened its 2010-2011 season with a concert of music by René Clausen, which I attended on October 19 at Asbury Methodist Church. I marveled at the uniformity and beauty of sonority — especially […]

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On the surface, there doesn’t seem to be all that much Beatle-ness to Stanton Welch’s The Long and Winding Road, a 25-minute ballet that the Houston Ballet II performed on the Harriman-Jewell Series on October 30 at the Folly. Peter Breiner’s arrangements of the songs are more Vivaldi than George Martin — they sound so much like Baroque concertos that […]

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Met’s stellar production of Mussorgsky classic is a must-see at its November 10th encore broadcast Mussorgsky’s Boris Godunov has always been an anomaly among operas. In addition to hovering, like much Russian opera, on the periphery of our Italian- and German-dominated repertoire, it has for most of its history been performed in a souped-up re-orchestration by Rimsky-Korsakov […]

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