Subscribe Today

26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.


Percussionist joins KC Chorale for unique program of drumming and humming

Can one woman change the direction of a culture? We all know the answer is yes, but it’s still gratifying to see it when it happens. Among her multifarious other accomplishments Valerie Naranjo —a native of Colorado who has played with the Saturday Night Live band and for the Broadway hit The Lion King — is credited with having helped unlock an age-old restriction among the Lobi and Dagari peoples of Ghana dictating that the native gyilmarimba should be played only by men and boys. A Western-trained percussionist who has spent a lifetime studying African music and percussion instruments, Valerie so impressed the leaders of these Ghanaian people with her performance on the hauntingly beautiful 14-key gyil (pronounced JEE-lee) that a proclamation was issued that, from that point forward, women and girls should be also encouraged to learn the instrument formerly reserved for highly revered ritualistic uses by males.

It’s just one strand in the complex tapestry of Valerie’s career at the center of the international percussion community, which in addition to activities in television, Broadway and film has led to performances and recordings with The Philip Glass Ensemble,David Byrne, The Paul Winter Consort, Tori Amos, Airto Moreira and the percussion ensemble MEGADRUMS.

Kansas Citians will have a chance to hear Valerie live, thanks to the Kansas City Chorale and Artistic Director Charles Bruffy.On May 16th and 18th, they’ll present Valerie in The Rhythm of Life, a concert incorporating her artistry into a program of Chorale favorites and other works. In addition to generous doses of Valerie performing solo, the program includes works (most with percussion) by Joan Symko (O Jalive-O), Kansas City-based composer Jean Belmont Ford (The Vine and Magnificat), Jaakko Mäntyjärvi (Psalm 150) and Eric Whitacre (Cloudburst).

Valerie studied percussion at the University of Oklahoma and Ithaca College, and in addition to her street-cred on Broadway, she has contributed to several film scores, including those for Final Fantasy: The Dream Within and Frida. She is a founding member of Mandara, an ensemble of musicians from diverse backgrounds who perform indigenous music of Africa and the Caribbean and newly composed works for marimba, vibes, keyboards, bass, drums, and vocals.

But it is the complex, vibrant music of the Dagari that has remained a primary interest for her. “There is so much to be gained, both musically and otherwise by studying the musical activity of the Dagari nation,” she says on www.mandaramusic.com. “They successfully take music and other arts beyond the realm of concert and audience, directly into the entire community, thereby building a common healing and an invigorating language for the people.” As a descendant of the Navajo and Ute tribes, Valerie says her experiences in Africa resonated with her own upbringing. “I was fortunate to grow up with the traditions I did. At weddings and funerals … and other significant occasions, musicians were called in. These musicians were seen as healers, and this intrigued me.”

The Rhythm of Life is at 3 p.m. May 16th at St. Teresa’s Academy in midtown and at 7:30 p.m. May 18 at Asbury United Methodist Church. For tickets call 816-235-6222 or go to www.kcchorale.org. For more about Valerie, go to www.mandaramusic.com or see her many videos on www.youtube.com.


* Stellar American pianist Simone Dinnerstein appears with the Kansas City Symphony this month, performing Mozart’s Piano Concerto No. 21 in C major, the so-called “Elvira Madigan” concerto. Associate conductor Steven Jarvi conducts the program, which he has designed as a sort of tour of Vienna and its contributions to music — with music of Schubert (the RosamundeOverture) and Mahler (the Adagio from the Tenth Symphony). “If this music by Schubert is the beginning of Romanticism,” says Steven in the vlog he’s been keeping during his recent Viennese travels, “then the Tenth Symphony of Mahler is truly the end.” The program, which also includes Strauss’ Suite from Der Rosenkavalier, is May 14th and 15th at the Lyric Theatre and May 16that Yardley Hall. For tickets, call 816-471-0400 and for links to the vlogs, go to www.kcsymphony.org.

To reach Paul Horsley, performing arts editor, sent email to phorsley@sbcglobal.net.

A slider with the ID of 2 was not found.

Upcoming Events

Sat 17
Sat 17


KC ARTS BEAT: Our picks for the best of Spring 2018

Again our potpourri of intriguing events draws from all performance levels and all walks of life, a reflection of the burgeoning variety and cultural interest in this once-sleepy city on…

BLURRING THE LINES: Violin-piano duo brings cross-cultural program to JCCC series

Classical music has proven itself to be one of the last bastions of “high-brow” art, but even its stubborn notions of the superiority of cultivated European tradition are giving way.…

LENNY’S WORLD: Stern to take KC Symphony audiences through joyous, intimate centennial celebration

For Michael Stern the centenary celebration of musical icon Leonard Bernstein is a personal journey. The Kansas City Symphony Music Director not only grew up around the enormously gifted conductor-composer-pianist,…

STORMY, WITH A CHANCE OF RAINBOWS: QHP devotes program to American master with unique Kansas tie

Mention composer Harold Arlen’s name to music lovers and they’re likely to say, “Oh yeah, he was one of those old Broadway guys, right?” But then drop into the conversation…