Paul Horsley, Performing Arts Editor
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Email: Paul@kcindependent.com
Paul studied piano and musicology at WSU and Cornell University. He also earned a degree in journalism, because writing about the arts in order to inspire others to partake in them was always his first love. After earning a PhD from Cornell, he became Program Annotator for the Philadelphia Orchestra, where he learned firsthand the challenges that non profits face. He moved to KC to join the then-thriving Arts Desk at The Kansas City Star, but in 2008 he happily accepted a post at The Independent. Paul contributes to national publications, including Dance Magazine, Symphony, Musical America, and The New York Times, and has conducted scholarly research in Germany, Austria and the Czech Republic (the latter on a Fulbright Fellowship). He also taught musicology at Cornell, LSU and Park University.
Features
![MAKING STRIDES: Artists from the LGBTQ+ community share thoughts on Kansas City and its progress](https://kcindependent.com/wp-content/uploads/2024/07/Ingrid-Stolzel_Photo-Cristian-Fatu-scaled.jpg)
INGRID STÖLZEL: Ingrid Stölzel is an award-winning composer whose works have been performed at concert halls and festivals around the world and have been called “richly introspective” and cited as…
![LET FREEDOM SING: Choirs address a nation still making up its mind on LGBTQ+ issues](https://kcindependent.com/wp-content/uploads/2024/07/05_HMC_Cher_After-All_Nicole-Bissey-Photography.jpg)
The last two decades have brought about dramatic changes in attitudes and laws concerning the lives of LGBTQ+ Americans. With Supreme Court decisions in 2003 and 2015 came legalization not…
![PEARL OF GREAT PRICE: Summerfest to perform gem created in the worst of times](https://kcindependent.com/wp-content/uploads/2024/06/13a_Summerfest_at-St-Marys_Photo-by-Andrew-SchwartzVeritography-copy.jpeg)
Musical inspiration often thrives under unusual circumstances. Mozart composed La clemenza di Tito after being yanked reluctantly from his progress on The Magic Flute, to take part in a highly politicized operatic commission for…