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Xi Wang is a composer of today who has received commissions from the orchestras of Philadelphia, Atlanta, Dallas, Minnesota, and Shanghai, the American Composers Orchestra, and many others. She earned her master’s degree at UMKC Conservatory with Chen Yi, Zhou Long, and others, and her DMA from Cornell University, where she studied with Steven Stucky and Roberto Sierra. She has carved out a brilliant career as composer of renown and as professor of composition at Southern Methodist University. Recently we reached out to ask her what it’s like being a woman in today’s classical composition world. For more information see xiwangcomposer.com.

The Independent: Music schools today are between 40 and 50 percent female on average, but composition classes are only about 13 to 15 percent women. What are the obstacles to bringing these numbers up? Do you feel that progress is being made?

Xi Wang: Historically, composition has been a male-dominated field due to cultural expectations, limited mentorship opportunities, and fewer visible role models for women composers. Progress is definitely being made. As orchestras and chamber groups program more music by women, it helps provides inspiration for younger generations. 

In recent years, what percentage of the composition class at SMU has been women?

Around 30 to 40 percent.

Are women coming to university today better prepared as composers and musicians than in the past?

Yes and no. On one hand, students today—regardless of gender—generally have greater access to educational resources, mentorship, and broader artistic exposure than in the past, which helps them develop as musicians and composers. On the other hand, work ethic and focus are not necessarily stronger than before. The younger generation faces more distractions, such as social media, the pressure for quick success, and shifting value systems, which can sometimes weaken the traditional spirit of patience and sustained hard work.

What was your experience with Chen Yi like?

Dr. Chen Yi is a very loving and positive person—an amazing life mentor in addition to being a remarkable composition professor. Her spirit, kindness, and artistic integrity were deeply inspiring. Learning from her was invaluable not only for musical development but also for personal and professional growth.

What were the keys to her successes in life and in music that we can all learn from?

Her success came from a combination of artistic authenticity, strong musical voice, persistence, and a generous spirit in supporting others. 

Can you point to moments in your life where you felt restricted because you were a woman?

My first composition professor discouraged me from pursuing composition because of my gender. He invested much more attention and encouragement in his male students. That experience was very hurtful and frustrating at the time.

How did you overcome those challenges?

I simply kept trying my best and believed in myself. The mindset of transforming negative experiences into positive motivation has helped me overcome many challenges in my life.

What do you tell your women composition students in terms of being a part of the continued advocacy for women composers?

I encourage women composers to be true to themselves and to compose music that comes sincerely from their heart. Authenticity and artistic integrity are the most important foundations for a meaningful creative life.

Who are the great women composers of our time in your view?

There are many outstanding women composers today. While it is difficult to name everyone, some composers who have made significant artistic contributions include Chen Yi, Kaija Saariaho, Sophia Gubaidulina, among others. Their work represents the diversity and vitality of contemporary composition.