By Paul Horsley What will we do in the evenings when the lights go out? How will we entertain ourselves when the nuclear cataclysm brings down the grid and there’s no electricity: no television, no internet, no cinema? These are questions playwright Anne Washburn asks in her brilliantly provocative Mr. Burns: A Post-Electric Play, which […]

By Paul Horsley Fairy tales may be populated largely by imaginary characters, but they exist to tell us things about ourselves. Jaroslav Kvapil’s libretto for Dvořák’s Rusalka concerns a water-nymph who yearns to be human; at the same time the 1901 opera, which opens at the Lyric Opera on November 7th, teaches us to be […]

By Paul Horsley “O hushed October morning mild,” Robert Frost wrote, “beguile us in the way you know.” If you want a good sampling of what the Harriman-Jewell Series has presented over the last 51 years, look no further than this month’s offerings. The Series offers half a dozen performances drawing on an amazing range […]

By Paul Horsley The Lyric Opera’s newish production of Don Giovanni, which opened September 26th at the Kauffman Center, embraces the opera’s light-dark contrasts in ways both external and internal. By setting the 1787 opera as a film noir the production opens up design possibilities that exploit the chiaroscuro nature of such movies as The […]

By Paul Horsley The Kansas City Repertory Theatre’s production of Sunday in the Park with George, which opened September 18th at the Nelson-Atkins Museum’s Atkins Auditorium, is visually so complex that it keeps the eye occupied even at points where Stephen Sondheim’s drama lags. Perhaps that’s appropriate for a piece of musical theater that is […]

By Paul Horsley Opera choruses: You know you love ’em. The big splashy numbers in the drama where the lights go brilliant and dozens of boisterous singers fill the stage will color and sound. Sometimes the music is so good that you wish you could hear it without all the distractions of costumes and stage […]

By Paul Horsley Don Giovanni: despicable misogynist, or dashing ladies’ man with anger-management issues? When the Lyric Opera’s creative team, led by director Kristine McIntyre and scenic designer R. Keith Brumley, set about to craft a fresh concept for Mozart’s and Da Ponte’s most troublesome opera, they sought a world with all the ambiguity and […]

By Paul Horsley One of the most satisfying concerts I attended this summer was that of tenor Joseph DeSota and pianist Natalia Rivera, who gave a sophisticated performance of Schubert’s Die schöne Müllerin on August 9th at Grace & Holy Trinity Cathedral. It was part of the “Summer Music at the Cathedrals” series sponsored by […]

By Paul Horsley So let’s say you’re a major theater company and you need a big splash for your new season, but your building is under construction until late fall. What to do? In a word: innovate. Stephen Sondheim’s Sunday in the Park with George, a multidimensional reflection on the nature of art and creativity, […]

By Paul Horsley Theater is like any form of communication in that it boils down to one thing: two people talking. With this in mind, Kansas City Actors Theatre has determined to devote its 11th season to “two-handers,” plays consisting of two characters who command the stage for an entire evening. True, economics might have […]

By Paul Horsley One of the fruits of Kansas City’s performing-arts community is an abundance of opportunities for young people. From orchestras to dance groups, children’s theater to music lessons of all kinds, our region is host to dozens of places where young folks can gain skills and learn the joy of playing, dancing, acting […]

By Paul Horsley What if we made a Cinderella in which, instead of a noble prince rescuing a desperate girl, we tell a tale of two people sort of rescuing each other? That’s just what playwright Douglas Carter Beane set out to do in his new version of Rodgers & Hammerstein’s Cinderella, which was a […]

By Paul Horsley When it comes to chamber music, three’s already a crowd, and 13 is a veritable multitude. So when Summerfest Chamber Music Series began planning a “blowout” Gala to celebrate its 25th season, it didn’t have to go far in order to push the limits of this intimate genre. On July 25th this […]

By Paul Horsley There’s a zephyr wind blowing through gay men’s choirs in America, and Heartland Men’s Chorus appears to have found just the right man to take it into this new era of acceptance and tolerance. On June 13th and 14th, Dustin Cates concludes his brilliant first season as the choir’s artistic director with […]

By Paul Horsley They battled addiction, domineering lovers, pigeonholing Hollywood studios, and a music industry controlled by men who feared strong women. They suffered defeats, but more often they triumphed by placing a distinctive mark on everything they did. And it is their very struggle that makes us love them. Judy Garland (1922-1969), Barbra Streisand […]

By Paul Horsley Victoria Simon remembers first seeing George Balanchine’s The Four Temperaments when it was almost new, as a youngster studying at the School of American Ballet in the 1950s and, later, as a dancer with New York City Ballet in the ’60s. “It broke new ground,” she said recently of the 30-minute piece, […]

By Paul Horsley The Harriman-Jewell Series’ auspicious 50th anniversary season has been a wild ride, and it’s not over yet. Recently the Series presented two notable performances within a week of each other, a violin-piano recital by Joshua Bell and Sam Haywood and an orchestral program with the Academy of St. Martin in Fields and […]

By Paul Horsley One of the opera world’s newest stars hails from the oldest of places. The singer whom the New York Times called “the real thing, a tenor who naturally combines plaintive sound with burnished intensity” grew up on Malta, a tiny island whose 7,000 years of history has included Greeks, Phoenicians, Romans, Arabs, […]

By Paul Horsley András Schiff’s recent Friends of Chamber Music recital stood out chiefly because the Hungarian-born pianist truly interpreted each of the sonatas he’d chosen to play: four late works by masters of the Classical tradition on which much Western tonal music rests. These days not everyone in classical music “interprets,” or when they […]

By Paul Horsley The Kansas City Ballet’s current Giselle is a lavish affair, with exceptional dancing, delicious scenic designs by Simon Pastukh, tasteful “period” costumes by David Heuvel and fine musical direction by Ramona Pansegrau. The set includes an attractive drop depicting the feudal village’s ducal palace high on a hill, a series of leafy-green […]

By Paul Horsley Her mother tried to keep her away from the piano, but three-year-old Dubravka Tomšič insisted. Soon afterward, having learned how to read notes, she acquired a teacher in her native Slovenia, former Cortot pupil Zora Zarnik, who had never taught children before. “She was a very sensitive, very beautiful pianist,” Dubravka said […]