By Paul Horsley Beginning in just a few days, Kansas City will be offering holiday programs of all sorts, so no sitting around the house with year-end blues! Get on your feet, get up and make it happen, as Gloria Estefan might say! Here are a few of the more notable choices. . NOVEMBER 18-December […]

By Paul Horsley The Lyric Opera of Kansas City’s The Marriage of Figaro, which runs through November 13th, bears the marks of a master director: Its fluid, natural interaction of characters, its moments of sly but seldom overplayed wit, and its sharp focus on essential characters at essential moments all keep the mind and the […]

By Paul Horsley When Robert Levin plays Beethoven’s Third Piano Concerto with the Kansas City Symphony in November, you can be sure of one thing: His interpretation will be different not only from any other pianist’s but also from any other performance he himself has presented of the piece. One of the leading exponents of […]

By Paul Horsley Everyone loves the romantic comedy in which Daddy gives up his dalliance with the spicy younger woman when he realizes it’s Mommy he really loves after all (while the kids beam with delight). If this plotline has a source it might well be Mozart’s The Marriage of Figaro (with its libretto by […]

By Paul Horsley Many musicians would give their E-string for a chance to resurrect Mozart or Beethoven or Brahms for an hour or two, just to ask them some burning questions that have been left to historical speculation. Wolfgang, did Salieri really poison you? Ludwig van, did you honestly intend the ridiculously fast tempos implied […]

By Paul Horsley For four centuries, Shakespeare’s plays have served as an inexhaustible inspiration for literature, operas, films and even Broadway musicals. And as the world commemorates the 400th anniversary of the bard’s death this year, we are more sharply aware than ever of the adaptability of his works. In no realm is the process […]

By Paul Horsley A fresh take on a familiar Broadway musical can be invigorating, but such an endeavor has its perils. The Kansas City Repertory Theatre’s “reimagined” version of Evita, which opened September 16th, is a scaled-down production that allows the viewer to focus on the songs, the text and the personal drama of the […]

By Paul Horsley Updated versions of well-known operas work best when they remain true to their concept from beginning to end. Director Doug Varone’s version of Hansel and Gretel is set in Depression-Era New York, and that’s fine: The 19th-century rural poverty of Humperdinck’s story translates relatively easily into urban poverty in the 1930s. Instead […]

By Paul Horsley When 17-year-old Blanche DuBois caught her husband in flagrante delicto with an older man, she impulsively lashed out at what she called his “degeneracy” (“You disgust me!”). The beautiful young man, whom Blanche loved desperately, went out into the yard and blew his brains out. Such an early trauma could screw with […]