By Paul Horsley Here’s a hint for performing-arts groups: If you want to keep the public interested year-in, year-out, you have to try new things all the time. Kansas City’s Summerfest, a breath of fresh air each July in the form of professional chamber-music in appealing venues, is about to begin its 27th season. And […]

By Paul Horsley For actor Nathan Darrow, Hamlet is not some dreamy philosopher pondering the meaning of life. The title character of Shakespeare’s essential play is asking some very specific questions: What the heck is going on here, in this nation that I’m supposed to be ruling one day? Does my mother love me? Does […]

By Paul Horsley From the moment she first discovered the freedom and beauty of movement, Misty Copeland had one goal in life: to become a Principal Dancer at the American Ballet Theatre. That the vaunted company had never had an African-American woman in this position did not allow the Kansas City-born dancer to stray from […]

By Paul Horsley If we were to write out our conversation the way we actually speak, it might look like the scrawled musings of a child. Or it might look a bit like Will Eno’s play The Realistic Joneses, a striking piece of theater that had its Broadway premiere in 2014 and was proclaimed, by […]

Paul Horsley If you’ve ever wondered what ballet in America is about these days, the Kansas City Ballet’s current Director’s Choice program might be an ideal place to start. In just three works spanning 65 years, the company reveals a glimpse of the breadth and depth of dance today: from the Russian-inspired Balanchine Theme and […]

By Paul Horsley Many of us still remember the jolt of our first reading of Shirley Jackson’s “The Lottery,” the 1948 short story that begins so amicably in Small Town, USA, and ends with the brutal stoning of a randomly chosen citizen by her fellow villagers. Choreographer Val Caniparoli remembers his own horror when reading […]

By Paul Horsley Music lovers often fantasize about what it must have been like to attend the first performance of a huge masterpiece, or indeed to have taken part in one. For the musicians involved, it’s often not apparent at the time whether the piece has “clicked” or not. In May 1962 at Coventry Cathedral […]

By Paul Horsley We think of England as a sort of motherland for the Gilbert & Sullivan operettas, and indeed for more than a century the D’Oyly Carte Opera Company was the standard-bearer for “authentic” performance of these works. But during this same period these “plays-with-songs” also became staples of companies the world over, and […]

By Paul Horsley The Sleeping Beauty is a ballet with a bit of something for everyone: There is some actual storytelling in the middle, with a dashing Prince revivifying a comatose ballerina-Princess with a kiss, and there’s a cornucopia of classical ballet of the most rigorous kind in the outer sections. The Kansas City Ballet’s […]