Backstage And Beyond
That Rigoletto is regarded as one of Verdi’s most beloved operas might seem surprising considering what an ugly story it recounts. First performed in 1851 but based on a tawdry Victor Hugo play from 1832 (which was banned from the French stage for half a century), it tells of a mean-spirited jester who serves in […]
Read MoreThe Kansas City Ballet’s New Moves is gradually coming into its own. The project that Artistic Director Devon Carney launched shortly after arriving in 2013 (an outgrowth of a previous series consisting chiefly of works by Company members) mixes works by aspiring KCB choreographers with dances by prominent visiting artists whose professionalism has at times […]
Read MoreIf you still think of Kathleen Battle as an opera singer, you haven’t been paying attention for the last 40 years. It’s true that the soprano, who possesses one of the most naturally beautiful voices of modern times, first made her mark on the world’s opera stages, in Handel, Mozart and bel canto roles for […]
Read MoreClassical music has proven itself to be one of the last bastions of “high-brow” art, but even its stubborn notions of the superiority of cultivated European tradition are giving way. It’s about time, many will say. Violinist Lara St. John is one of a growing number of strictly trained musicians who have, in recent years, […]
Read MoreFor Michael Stern the centenary celebration of musical icon Leonard Bernstein is a personal journey. The Kansas City Symphony Music Director not only grew up around the enormously gifted conductor-composer-pianist, who would have turned 100 this August 25th, but as a child he regularly attended the New York Philharmonic’s legendary Young People’s Concerts. As a […]
Read MoreMention composer Harold Arlen’s name to music lovers and they’re likely to say, “Oh yeah, he was one of those old Broadway guys, right?” But then drop into the conversation such titles such as “Over the Rainbow,” “Stormy Weather” or “Get Happy” and watch faces light up. “Oh, that Harold Arlen.” To help showcase this […]
Read MoreSome might say there are advantages to being the only actor in a play. You wield complete control over the pacing, you don’t have to worry about other players forgetting their lines, and in the case of most one-person shows, the action is finished in 90 minutes and you might even get to a restaurant before the […]
Read MoreKansas City musicians scored extraordinarily well in the 2018 Grammy Award nominations announced on November 28th: seven nominations in all. Congratulations go to the Kansas City Symphony, KC’s mezzo-soprano Joyce DiDonato, UMKC Conservatory Assistant Professor Zachary Shemon, and rap producer/songwriter (and KCK native) J. White. Topping the list is the Symphony’s disc of works by Adam […]
Read MoreChange is almost always frightening, but when it comes to timeworn holiday traditions it can be as terrifying as realizing you left the Christmas turkey in the oven on “high” all night. For arts organizations whose popular yultetide fare provides a substantial chunk of annual revenue, tinkering with it can fill administrators and board members […]
Read MoreEverest possesses something found in surprisingly few contemporary operas: soaring, tastefully singable tunes that stick in your head but avoid the tacky pizzazz of Broadway that plagues so many new operas. Some will admire the piece (by composer Joby Talbot and librettist Gene Scheer) simply for its dazzling physical production and its starkly naturalistic score, […]
Read MoreHearing one musical giant at a concert is a great thing. Two, even better. But three, on the same program? Few events on this season’s calendar stand out quite as much as the appearance of Maestro Valery Gergiev on the Harriman-Jewell Series, with an ensemble from the Mariinsky Orchestra that he has built into a […]
Read MoreLee Ritenour might not know exactly what he and his ensemble will be playing when they perform here on October 28th, at the glittering Opening Night of the Folly Jazz Series’ 35th Anniversary Season. But that doesn’t mean they’ll be arriving unprepared. In fact, the legendary 65-year-old guitarist, who has played with everyone from Sinatra […]
Read MoreThe Chicago Symphony plays like a well-oiled, meticulously hand-crafted engine, and an opportunity to hear it in a fine acoustic space is always a treat. In 2015, when the Harriman-Jewell Series brought the CSO for its first appearance here in nearly a half-century, Music Director Riccardo Muti was so delighted with the experience of performing […]
Read MoreDevon Carney has already demonstrated his skill as choreographer in the four full-length ballets he’s created since becoming the Kansas City Ballet’s Artistic Director in 2013. What stood out in his Romeo and Juliet, which received its world premiere October 13th at the Kauffman Center, was the former Boston Ballet Principal Dancer’s unwavering skill as […]
Read MoreTheater comes in all shapes and sizes, but the plays that stick with us tend to be those that hold up a mirror to our own joys and tragedies, our loves and weaknesses and ruined relationships. When August Wilson’s plays began to appear on prominent stages during the 1980s, many noticed immediately the birth of […]
Read MoreThe Lyric Opera’s handsome production of Tchaikovsky’s Eugene Onegin hit home partly because of its simplicity. The spare approach both to design and to direction, and the unfussy singing that managed to avoid excess (even as non-Russian-speakers labored to sing in Russian), allowed us to focus so intently on the drama that we found ourselves […]
Read MoreKansas City’s performing-arts season opened with a vengeance in mid-September, with more than a dozen professional-level productions of music, dance and theater vying for attention. Among the half-dozen or so I managed to take in, one that stood out (after Cliburn medalist Kenny Broberg’s recital, reviewed here) was the Harriman-Jewell Series’ presentation of Parsons Dance […]
Read MoreIt’s true that many operas of the standard repertoire are drawn from stories that are implausible, overwrought or even downright ridiculous. Almost as often, though, composers find themselves setting literary masterpieces to music, and they are challenged to create a work that can at least function on its own terms, stand up to the mastery […]
Read MoreEmail: Paul@kcindependent.com Paul studied piano and musicology at WSU and Cornell University. He also earned a degree in journalism, because writing about the arts in order to inspire others to partake in them was always his first love. After earning a PhD from Cornell, he became Program Annotator for the Philadelphia Orchestra, where he learned […]
Read MoreBy Paul Horsley Trying to gauge the artistry of a musician on the basis of a performance at an international composition is like trying to identify a future Oscar-winning filmmaker on the basis of a YouTube “short” he or she made in high school. This most unnatural of settings (for which the Van Cliburn International […]
Read MoreFor a kid who was about to devote his life and career to dance, young Devon Carney sure took a long time to realize that Romeo and Juliet was not just a Shakespeare play but also one of the most famous ballets in the classical repertory. “The first time I actually experienced the ballet was […]
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