George Harter has a message for all who will listen: Just as jazz, blues and rock ‘n’ roll are indigenous American musical genres, musical theater was born here, too. And just as those forms drew from elements as disparate as hymnody and African folk song, the musical drew from European operetta and other sources but brought those elements […]

n the early years of the 17th century, at Nipe Bay in northeastern Cuba, three fishermen weathered a tumultuous storm and prayed for deliverance. When the skies cleared, they found a statue of a girl floating in the water, with an inscription saying I Am the Virgin of Charity. As a tribute to this miracle, La Virgen de […]

Richard Harriman would have been happy to see the activity on September 18 at the teeming Folly Theater. Harriman, who died in August of leukemia, had an eye for what was going to be the Next Big Thing in music, dance and theater. That’s how he made the Harriman-Jewell Series into a national presenting powerhouse. […]

Nobody knows for sure why the Basques came to Idaho, but come they did: The state boasts one of the largest Basque populations in the world. Even the mayor of Boise is Basque. So when choreographer Trey McIntyre was invited to create a piece celebrating this fascinating culture, he knew he had to immerse himself completely to […]

It began with a circle. R. Keith Brumley’s scenic design for the Lyric Opera’s new production of Carmen took as its point of departure the circular shape of the bullfight ring of Act 4, where the searing drama of Bizet’s opera reaches its breaking point. In the three acts leading up to that wrenching moment, the curved walls that […]

In the final moments of the Lyric Opera’s new production of Bizet’s Carmen, mezzo-soprano Sandra Piques Eddy came quite close to saving the whole show for me. She gave the groveling Don José (tenor Dinyar Vania) a look so filled with remorse, pity and regret that we forgave all of her cruel inconstancy — an expression so meltingly potent that […]

Kansas City lost one of its greatest artists in November, when pianist and UMKC Conservatory professor Richard Cass died after a brief illness, aged 78. It was quite a blow to the musical community here, as Richard had been hearty and vigorous to the very last: In fact he and his longtime collaborator, violinist and […]

On October the 9th there will be two world-renowned musicians performing on the stage of the Folly Theater. The fellow seated at the piano will be Bradley Moore, who studied with legendary teachers Maria Curcio and Claude Frank and has performed in most of the world’s major recital halls. Never heard of him? Just ask soprano Renée Fleming who he is: She’ll […]

A year from now, Kansas City audiences will be taking in opera, symphony, ballet, country music, jazz, rock, Broadway and all manner of things in one of the finest performing arts centers in the world. On September 26th on the KC Live Stage of the Kansas City Power & Light District, the Kauffman Center for the […]

They are an elite group: the dancers and choreographers who worked and trained under George Balanchine, the greatest choreographer of modern times, over the course of a half century. After the great Russian-born émigré’s death in 1983 they scattered, spreading the Balanchine technique, methodology and artistry throughout the world. Some became choreographers, others headed up […]

Renée Fleming’s program on October the 9th was two recitals in one, the first a hugely intelligent exploration of the early-20th-century German and Austrian lied, the second a generous serving of mostly Italian arias that shone light on a variety of operatic heroines. It was a worthy demonstration of two dynamics of Renée’s character: the intellectual curiosity […]

“It’s show business, my dears, we’re entertainers!” George Balanchine used to tell his dancers, and in few of his ballets is this notion more overt than in Slaughter on Tenth Avenue, which forms part of the Kansas City Ballet’s fall program running from October the 14th through the 17th. In addition to the choreographer’s hallmarks — the detailed […]

Australian-born Stanton Welch, artistic director of the Houston Ballet, has established himself as one of the world’s most inventive choreographers. Dance fans in Our Town have had ample opportunity to see Stanton’s work thanks to the Harriman-Jewell Series, which has brought his company to town seven times beginning in 1979. On October 30 the Harriman presents Houston […]

The Kansas City Chorale is in a remarkably good place these days, both institutionally and artistically. This week the multiple-Grammy-winning chorus of local professionals opened its 2010-2011 season with a concert of music by René Clausen, which I attended on October 19 at Asbury Methodist Church. I marveled at the uniformity and beauty of sonority — especially […]

On the surface, there doesn’t seem to be all that much Beatle-ness to Stanton Welch’s The Long and Winding Road, a 25-minute ballet that the Houston Ballet II performed on the Harriman-Jewell Series on October 30 at the Folly. Peter Breiner’s arrangements of the songs are more Vivaldi than George Martin — they sound so much like Baroque concertos that […]

Mussorgsky’s Boris Godunov has always been an anomaly among operas. In addition to hovering, like much Russian opera, on the periphery of our Italian- and German-dominated repertoire, it has for most of its history been performed in a souped-up re-orchestration by Rimsky-Korsakov that glazes over much of its austere, at times intentionally raw flavor. To add to […]

When men flake out, women just have to look after themselves — and each other. That’s a primary lesson in Norma, Vincenzo Bellini’s 1831 opera about love, betrayal, heroism and female friendship, which opens November the 6th at the Lyric Opera. The druid priestess Norma is caught in an impossible situation: Her companion, the Roman proconsul Pollione, has […]

Considering the number of elements that must come together for an operatic production to succeed, it’s a miracle that it ever happens. When it does, it’s sometimes hard to say why it does, but it nonetheless makes for an extremely satisfying evening of theater. At the Lyric Opera’s Norma, which opened November the 6th at the Lyric Theatre, all the […]

Venezuelan pianist Gabriela Montero and French cellistGautier Capuçon are acclaimed musicians with international careers, and their gifts on their respective instruments are prodigious. Gautier has made a mark in collaborations with his brother, violinist Renard, and Gabriela you might remember from her appearance at President Obama’s inauguration withItzhak Perlman and Yo-Yo Ma. Yet their Harriman-Jewell Series recital on November the […]

Alessio Bax has made a career of taking roads less traveled. The Avery Fisher Career Grant recipient from Bari, Italy has circled the globe performing the widest variety of music, not just in Europe and Asia but in Tel Aviv and Mexico City. He has explored interesting corners of the repertoire, both in recital and with […]

Few things in concert life are as satisfying as hearing musicians who have attained near-legendary status actually live up to those legends. On November the 19th at the Folly Theater, Pinchas Zukerman and Yefim Bronfman played the Brahms’ Second Viola Sonata so gorgeously and insightfully, and with such detailed nuance and color, that one was reminded why these artists have […]