Backstage And Beyond
![ARE WE THERE YET? Men’s choir takes on new challenges in a rapidly changing world](https://kcindependent.com/wp-content/uploads/2015/05/HMC_Media191.jpg)
By Paul Horsley There’s a zephyr wind blowing through gay men’s choirs in America, and Heartland Men’s Chorus appears to have found just the right man to take it into this new era of acceptance and tolerance. On June 13th and 14th, Dustin Cates concludes his brilliant first season as the choir’s artistic director with […]
Read More![SING IT, GIRLFRIEND: QHP program highlights vocalism of three great American women](https://kcindependent.com/wp-content/uploads/2015/05/Lauren-Braton-and-J-Kent-Barnhart-Copy.jpeg)
By Paul Horsley They battled addiction, domineering lovers, pigeonholing Hollywood studios, and a music industry controlled by men who feared strong women. They suffered defeats, but more often they triumphed by placing a distinctive mark on everything they did. And it is their very struggle that makes us love them. Judy Garland (1922-1969), Barbra Streisand […]
Read More![SENSE OF HUMORS: Ballet brings top stager to set ground-breaking Balanchine classic](https://kcindependent.com/wp-content/uploads/2015/04/George-Balanchine_choreographer-of-The-Four-Temperaments-Copy.jpg)
By Paul Horsley Victoria Simon remembers first seeing George Balanchine’s The Four Temperaments when it was almost new, as a youngster studying at the School of American Ballet in the 1950s and, later, as a dancer with New York City Ballet in the ’60s. “It broke new ground,” she said recently of the 30-minute piece, […]
Read More![HIGHER: Harriman continues stellar 50th with Bell, Denk, promises more for 2015-16](https://kcindependent.com/wp-content/uploads/2015/04/Joshua-Bell_Photo-by-Eric-Kabik-Copy.jpg)
By Paul Horsley The Harriman-Jewell Series’ auspicious 50th anniversary season has been a wild ride, and it’s not over yet. Recently the Series presented two notable performances within a week of each other, a violin-piano recital by Joshua Bell and Sam Haywood and an orchestral program with the Academy of St. Martin in Fields and […]
Read More![BEL CANTO, OR CAN BELT-O? Met tenor will bring freshness, classic vocal style to Harriman-Jewell Series](https://kcindependent.com/wp-content/uploads/2015/03/Calleja-in-Malta_Photo-by-Simon-Fowler_Decca-Copy1.jpg)
By Paul Horsley One of the opera world’s newest stars hails from the oldest of places. The singer whom the New York Times called “the real thing, a tenor who naturally combines plaintive sound with burnished intensity” grew up on Malta, a tiny island whose 7,000 years of history has included Greeks, Phoenicians, Romans, Arabs, […]
Read More![SCHIFF DIGS IN, DANIELPOUR ‘SINGS’: Two events show that classical is still alive and reinventing itself](https://kcindependent.com/wp-content/uploads/2015/03/Richard-Danielpour-Copy.jpg)
By Paul Horsley András Schiff’s recent Friends of Chamber Music recital stood out chiefly because the Hungarian-born pianist truly interpreted each of the sonatas he’d chosen to play: four late works by masters of the Classical tradition on which much Western tonal music rests. These days not everyone in classical music “interprets,” or when they […]
Read More![DECEPTION THAT KILLS: Ballet brings classic tale of love, betrayal and apotheosis to Kauffman Center](https://kcindependent.com/wp-content/uploads/2015/03/Giselle_4-700x450.jpg)
By Paul Horsley The Kansas City Ballet’s current Giselle is a lavish affair, with exceptional dancing, delicious scenic designs by Simon Pastukh, tasteful “period” costumes by David Heuvel and fine musical direction by Ramona Pansegrau. The set includes an attractive drop depicting the feudal village’s ducal palace high on a hill, a series of leafy-green […]
Read More![ART TRUMPS POLITICS (AGAIN): With wars and revolutions behind, pianist continues spinning poetry](https://kcindependent.com/wp-content/uploads/2015/03/Dubravka-Tomsic-in-performance__Photo-by-Dinko-Bazulic-Copy.jpg)
By Paul Horsley Her mother tried to keep her away from the piano, but three-year-old Dubravka Tomšič insisted. Soon afterward, having learned how to read notes, she acquired a teacher in her native Slovenia, former Cortot pupil Zora Zarnik, who had never taught children before. “She was a very sensitive, very beautiful pianist,” Dubravka said […]
Read More![A HISTORY STILL BEING TOLD: KC Rep’s ‘Angels’ lifts us from our smug seats and slaps us in the face](https://kcindependent.com/wp-content/uploads/2015/03/16627940075_ff0079c592_o-Copy.jpg)
By Paul Horsley Angels in America, currently playing at the Kansas City Repertory Theatre’s Copaken Stage, is an odd duck in American theater and is likely to remain so. Set during the height of the AIDS crisis in the mid-1980s, the two-part, six-hour epic contains some of the greatest writing by an American in modern […]
Read More![JUST NORTH OF HERE: Chorale’s program of music by Canadians draws attention to America’s ‘other’ border](https://kcindependent.com/wp-content/uploads/2015/02/Eleanor-Daley.jpg)
By Paul Horsley Even the humblest of choirs can sound good in a lush, warm acoustic, but it takes an excellent choir to come across as clear, accurate and well-balanced in a dry space. The Kansas City Chorale sounded lovely in its February 22nd concert “Oh! Canada! Music from North of the Border,” sung in […]
Read More![JOYOUS MOMENT: KC Lyric tackles bold new opera asking ‘big questions’ about war](https://kcindependent.com/wp-content/uploads/2015/02/Daniel-Belcher-Sean-Panikkar-Caleb-Ashby-Liam-Bonner-David-Blalock-Photo-by-Cory-Weaver.jpg)
By Paul Horsley Silent Night is the product of a top-flight librettist, Mark Campbell, and a marvelous American composer, Kevin Puts, and it features some of the most beautifully intricate sets, projections and costumes that the Lyric Opera of Kansas City has put on the stage. Created and designed for Minnesota Opera and three other […]
Read More![SHE DIES, HE LIVES, THE END: KC Ballet seeks inner core of problematic classic](https://kcindependent.com/wp-content/uploads/2015/02/Tempe-Ostergren_Photo-courtesy-of-Kansas-City-Ballet-Copy.jpg)
By Paul Horsley Rich Boy disguises himself as Poor Boy in order to win Poor Girl, who falls for him despite Mom’s suspicion there’s something a little “off” about him. Poor Girl, who has a heart condition, can’t stand the shock of finding out he’s actually engaged to Rich Girl. She dies and joins a […]
Read More![REALMS OF GLORY: KC Rep takes on ‘Angels’ with preeminent storyteller at the helm](https://kcindependent.com/wp-content/uploads/2015/02/David-Cromer_Photo-courtesy-of-John-D-and-Catherine-T-MacArthur-Foundation-Copy.jpg)
By Paul Horsley Maybe all you know about Angels in America is that it’s a monumental, mystical, two-part, seven-hour stage work that wrestles with gigantic subjects such as good and evil, sex and human frailty, love and hypocrisy, and death. Or that it changed the course of American theater. Or that it dealt with AIDS […]
Read More![LAST LAUGH: Performance suggests that a composer’s final thoughts are his best—or are they?](https://kcindependent.com/wp-content/uploads/2015/01/Zhou_MattDine2-Copy-300x195.jpg)
By Paul Horsley Composers throw us a curve ball when they drastically revise works and leave the original for us to mull over alongside the new version. Of course there’s nothing that classical listeners love more than to debate the relative merits of the results: Dresden Tannhäuser, or Wagner’s more elaborate Paris/Vienna version? Bruckner’s original […]
Read More![THAT’S ECLECTICISM! Playhouse shines wide-ranging spotlight on classic film musicals](https://kcindependent.com/wp-content/uploads/2015/01/MGM-years-Copy.jpg)
By Paul Horsley Americans are surprisingly narrow-ranged in their cultural exposure these days, internet or no internet. For most people it’s either hip-hop or ballet but not both, hillbilly or Haydn, Disney or Dostoyevsky. But audience tastes weren’t always this balkanized: Quality Hill Playhouse’s current month-long production, “That’s Entertainment: The MGM Years,” reveals the extent […]
Read More![I YAM WHO I YAM: In KC Symphony premiere, Previn proves that knowing thyself has no shelf life](https://kcindependent.com/wp-content/uploads/2015/01/Photo-by-Tina-Tahir-Copy.jpg)
By Paul Horsley At 85, André Previn has nothing to prove. As one of the great musical geniuses of the 20th century and for that matter the 21st, the Berlin-born American whose family fled the Nazis has headed several international orchestras, won four music-category Oscars, and received fistfuls of kudos including the Kennedy Center Honors, […]
Read More![LYRIC NIGHT: Prize-winning World War I opera, soon to make KC premiere, strikes at the heart of human conflict](https://kcindependent.com/wp-content/uploads/2015/01/Silent-Night-Photo-by-Michal-Daniel-Copy.jpg)
By Paul Horsley Silent Night, the World War I opera that is taking the music world by storm, is not a history lesson, and it’s not a sermon. It’s an image of what can happen in wartime when men and women who have been told they are enemies sit down and talk, in defiance of […]
Read More![COME, THOU FOUNT: Choreographer and star team create dazzling new vision of Handel](https://kcindependent.com/wp-content/uploads/2015/01/rtrh4c0098_mmdgacis_richardtermine-Copy1.jpg)
By Paul Horsley If you’re not sure whether Mark Morris’ Acis and Galatea is opera or dance or theater or what, then you’re probably on the right track. “That’s historically accurate,” said Mark recently on the phone, pointing out that in the Baroque “opera included all of those things: That’s the whole point.” The choreographer’s […]
Read More![MUSIC PAST, MUSIC PRESENT: Choral composition honors Harriman’s life and the Series he founded](https://kcindependent.com/wp-content/uploads/2014/12/Clark-Morris-Copy.jpg)
By Paul Horsley Any celebration of the Harriman-Jewell Series is to some extent a tribute to Richard Harriman, the late William Jewell College professor who cofounded the world-renowned series that bears his name. What a shame that Richard, who died in 2010, didn’t live to see this season’s 50th anniversary celebration, for among other things […]
Read More![ADIEU, ‘MR. B’: KC Ballet presents Bolender ‘Nutcracker’ one last time with help of Todd protégé](https://kcindependent.com/wp-content/uploads/2014/11/Todd-Bolenders-Nutcracker-Copy.jpg)
By Paul Horsley Ballet is ephemeral at its core, the product of a certain time and place, a specific set of dancers, musicians and designers. This year it’s with no little sadness that the Kansas City Ballet bids farewell to Todd Bolender’s durable production of The Nutcracker, which after 34 years has run its course […]
Read More![NO HAREM APPARENT: Lyric production brings out musical treasures in zany Rossini comedy](https://kcindependent.com/wp-content/uploads/2014/11/19-Irene-Roberts-Photo-by-Michal-Daniel1.jpg)
By Paul Horsley The Italian Girl in Algiers contains as much delightful music as about any Rossini opera you could name, and though it is hardly a rarity worldwide it had, up to now, been produced only twice by the Lyric Opera of Kansas City, most recently in 1998. The production that opened November 8th […]
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