Backstage And Beyond
Chen Yi’s musical world is a cheerful place teeming with activity and populated by stately emperors, raucous villagers, artful calligraphers and lovers boating through lotus blossoms — always against the backdrop of the gorgeous Chinese landscape. Her new seven-movement song cycle for choir and string quartet From the Path of Beauty feels so all-encompassing it’s like a miniature […]
Read MoreCompetition was fierce this year for the best of 2008, for one simple reason: Kansas City’s culture remains on such an upward trajectory that it’s not out of line to say this might have been the city’s best-ever year for classical music and dance. I mean ever, as in, during Our Town’s 155-year history. Whoa, baby. […]
Read MoreOne local holiday tradition that changes little from year to year is the Kansas City Ballet’s production of The Nutcracker, and that will be either good or bad news depending on whether you’re a traditionalist or an adventurist. At the opening performance on Saturday afternoon, December 6, I found myself not minding a bit that I was […]
Read MoreKonstantin Lifschitz, the Ukrainian-born pianist, is one of those restless musical spirits who sails uncharted waters seeking ever-elusive truths behind musical masterpieces. There was a mystical, almost séance-like atmosphere to his Friends of Chamber Music recital on Friday, the 31-year-old pianist’s only appearance in the United States this season. Expectations were high for this program […]
Read MoreNo one ever accused Puccini of subtlety for his potboiler Tosca. A diva agrees to “give in” to a lecherous villain in return for her lover’s freedom. Instead she stabs him. Villain betrays her. The lover is executed. She leaps to her death. Didn’t I see this on the Lifetime Channel? The cast and crew […]
Read MoreAt a time when Roman Catholics and Episcopalians seem to be growing ever-further apart, gestures of unity are always refreshing. That’s why Summer Music at the Cathedrals, a musical partnership between Our Town’s Catholic and the Episcopal cathedrals downtown, is a welcome addition to the upwelling of local performing arts during the last decade. This […]
Read MoreThe plot of Tosca is a pretty crass affair, but even seasoned opera devotees keep returning to the piece because it features what is perhaps Puccini’s most incisive and consistently compelling musical score. The Lyric Opera of Kansas City was wise to eschew tinkering with the drama in favor of confronting head-on the opera’s musical glories. The […]
Read MoreYoung people do grow up, a fact we sometimes forget when we expect youthful celebrities to act mature beyond their years. The version of Lang Lang who played Tuesday, September 15 on the Harriman-Jewell Series was a notably more serious pianist than the one who performed on the same series in 2004, also at the Folly Theater. Considerably toned-down […]
Read MoreStefan Jackiw played a beautiful recital on September 26 at the Folly Theater, confirming once again my ongoing impression that he is destined to lead a career at the very top of the toughly competitive world of classical violin. In fact he is already leading it, and Saturday’s Harriman-Jewell Series recital with pianist Max Levinson showed […]
Read MoreAs a vocal student, Lawrence Brownlee wanted to sing the big romantic roles that tenors pine for: Rodolfo in La Bohème, Alfredo in La traviata, Cavaradossi in Tosca. Looking back, he’s awfully glad he heeded the advice of those who knew his voice was destined for a different realm. For instead of leading a short career in the wrong vocal fach, the 36-year-old native of […]
Read MoreImagine a future in which Our Town’s nationally renowned ballet company had its own home for the first time in its 52-year history, a dynamic place where professional creativity, community arts and education all converged into a synergistic hub in the heart of downtown. Well dream no more, supporters and fans of the Kansas City […]
Read MoreIn the center of a giant disc of white lycra covering half the dance studio stands a lone ballerina, Stayce Camparo, wearing the heavy, textured fabric around as a burdensome skirt. As she twists slowly counterclockwise, the skirt pleats together liked twisted rope and gently binds her. Meanwhile at the edge of the shrinking circle of fabric, Marcus […]
Read MoreIf you want an excellent example of what small-to-medium-sized arts groups in Kansas City can achieve when they team up, look no further than the October 16-18 production of Henry Purcell’s The Fairy Queen, a masterpiece from 1692 that has reportedly not been performed here in a half-century. This partnership of the Kansas City Chamber Orchestra, the […]
Read MoreIf theater and drama in English began with the plays of Shakespeare, the modern English song began with the works of the Elizabethan singer-songwriter John Dowland and, a bit later, Henry Purcell. A rare treat awaits Kansas Citians this week, as British early-music goddess Emma Kirkby and Swedish lutenist Jakob Lindberg bring to the Performing Arts Program of Johnson […]
Read MoreDeborah Voigt is known to the opera world for her portrayals of stern, stately and imperious Wagner and Strauss heroines: Ariadne, Brünnhilde, Elisabeth, Elsa, Isolde, Salome. Her persona in solo recital is decidedly different, chatty and folksy and witty, and on October 30 a smallish Harriman-Jewell audience seemed to have a pleasant time listening to […]
Read MoreGilbert & Sullivan’s operettas are so durable that directors succeed best when they go easy on shtick and focus on dead-on execution of the shows’ intrinsic rich humor. The Lyric Opera of Kansas City’s production of HMS Pinafore, which opened November 6 at the Lyric Theatre, was most convincing when it stood back and let us […]
Read MoreWe like to think of the United States as a classless society, where a pauper can rise to the top and anyone can marry for love regardless of rank or station. Still, the idea of our daughter marrying the gardener gives pause — unless, of course, it turns out that the gardener was “switched at […]
Read MoreTake eight younger singers with decades of rigorous vocal and choral training, hone them to a razor-sharp blend and place them in a church with clean, resonant acoustics, and you have the formula for a sonority that is as luxurious as a Lexus, as rich as triple-chocolate cake, as eloquent as a Shakespeare sonnet. Then […]
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