Backstage And Beyond
“The last rail is laid. The last spike is driven. The Pacific Railroad is completed.” Thus began the report that was telegraphed to the Associated Press on May 10th, 1869, announcing the completion of one of the great engineering feats of the 20th century: The North American Continental Divide had been spanned by rail, and […]
Read MoreNew Dance Partners is built on such an ingenious concept that it’s surprising it hasn’t gained footing in more cities than it has. The idea is simple: Each professional company in town is paired with an eminent choreographer toward creating a new work, and an “umbrella” organization presents the works on a joint program each […]
Read MoreOne of the many things that we owe Mozart is his determination to wrest opera from the clutches of European nobility. Beginning with his 1782 Abduction from the Seraglio, a “singspiel” written in the language of the Viennese public, he helped establish opera as an art-form “for the people.” Opera has been striving to maintain […]
Read MoreFew moments in theater have stimulated discourse on the role of women in society as compellingly as Nora’s abrupt departure at the end of Ibsen’s A Doll’s House. “The door-slam heard ’round the world,” as it’s been called, was one of the boldest acts in all of literature, yet it remains almost as controversial today […]
Read MoreEven at age four, Ho Anthony Ahn was absolutely certain he was not going to be a violinist. His father, a prominent violinist and teacher, had assumed his firstborn would play “first fiddle” in what he pictured as a family string quartet. Ho wanted no part of it. “It just hurt so badly, that metal […]
Read MoreThe best summer festivals highlight the unexpected: The juxtaposition of idyllic landscapes with the sort of high-end performances that we usually experience in urban settings sometimes permits us to view great art in fresh ways. Three hours north of Kansas City, nestled in verdant Iowa hills, stands one of America’s most delightful and distinguished opera […]
Read MoreAt the end of Wagner’s opera Lohengrin, the source of the most famous bridal march of all, poor Elsa collapses and dies as her heroic groom (who is a Knight of the Holy Grail, after all) sails off to a higher destiny. Misogynistic much? Perhaps it’s a relief that this tune, “Here Comes the Bride,” […]
Read MoreLilliana Hagerman and Lamin Pereira dos Santos may thrive on dancing the hyper-romantic characters of 19th-century ballets, but in real life their romance is as contemporary as it gets. They met, in fact, on Facebook Messenger: After a mutual dancer-friend “introduced” them, they spent three months getting acquainted online, through chat and Skype. And already […]
Read MoreContinuity and renewal are key to any arts organization that wants to stick around. Summerfest, now in its 29th season, has remained vigilant on both fronts, with a core of chamber musicians (many of them Kansas City Symphony members), a solid if at times shifting pool of additional colleagues, and a long-term view of artistic […]
Read MoreWhat could possibly motivate someone with a full-time job and perhaps a family and a mortgage to devote an entire month of his or her life to something that will not reap one red cent? Gene Kelly said it best in Singin’ in the Rain: “Gotta dance! … Broadway rhythm, it’s got me, everybody sing […]
Read MorePart of the genius of Hamilton lies in Lin-Manuel Miranda’s recognition that rap and hip-hop, which have already brought enormous energy to nearly every aspect of American culture, might also cast light into some of the more obscure, moribund corners of the Broadway musical. From the very first number of this instant classic (“Alexander Hamilton”) one […]
Read MoreIf you still think of Oklahoma! as a wholesome slice of Americana and cheerful life on the prairie, you might want to take another look. You don’t have to scratch hard find darker elements beneath the surface of this musical from 1943: misogyny, gun violence, bullying, anti-immigration sentiment. And although Musical Theater Heritage at Crown […]
Read MoreFour women far upstage in pajama-like outfits skip in place, their limbs flying in precisely crafted, whimsical calisthenics. Downstage, a ballerina in red pointe shoes is dancing, now two ballerinas, and now with men, in a juxtaposition of classical and contemporary styles that appears all the more startling because of the ensemble’s placement in front […]
Read MoreDavid Parsons embodies the kinds of values and ideals that any Kansas City artist would do well to emulate. He is as comfortable hacking through weeds at the Leawood home of his hardy 91-year-old father, UMKC Emeritus Professor Stanley Parsons, as he is gathering accolades (with the New York-based company he founded in 1985) in […]
Read MoreIf there really is a crisis in the performing arts in America, somebody forgot to send Kansas City the memo. In the past decade, our city has seen the formation of dozens of small non-profit organizations, from theater companies to chamber ensembles, dance groups to jazz orchestras, choruses to opera companies. And there’s no reason […]
Read MoreContrary to popular opinion, Bizet’s The Pearl Fishers does not rely on a single beautiful duet: It has several quite lovely numbers and a few choruses that are worth your time. To be sure, taken as a whole this opera, which preceded the inimitable Carmen by 12 years, is a bit of a mess. Yet to […]
Read MoreAnyone who has owned a pet understands the ineffable bond that can form between human and animal. But what if your pet were instrumental in saving not only your life but the lives of hundreds of others, and had done so dozens of times? Perhaps only those who have served as military Search Dog Handlers […]
Read MoreThere’s only so much oppression that you can withstand before you finally burst out and shout: Enough! That’s pretty much what happened at the Stonewall Inn on June 28th, 1969, when one of the habitual police raids on the Greenwich Village tavern turned violent. The ensuing series of protests in and around the bar, which […]
Read MoreThe glory of Così fan tutte is, to a great extent, its music: Mozart is the reason we continue to treasure this masterpiece, more than two centuries after its premiere in Vienna in 1790. Thus we were grateful, at the opening of the Lyric Opera of Kansas City’s production on March 16th, that director James […]
Read MoreDaniela Mack is by far one of the most thrilling young mezzo-sopranos of our time. Kansas City is privileged to have her join the Lyric Opera’s production of Così fan tutte, which plays at the Kauffman Center from March 16th through the 24th. (See our full preview article here.) Daniela’s bold interpretations are matched only […]
Read MoreComedy is often most effective when it borders on the serious, when it delves into complex truths about human nature. Così fan tutte fascinates us not only because its score is “as consistently glorious and elevating as any ever written,” in the words of conductor-scholar Jane Glover, but because its sexual politics are as wittily […]
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