Backstage And Beyond
When stories linger in our collective imagination for thousands of years, told and retold in ever-evolving versions, it’s generally because they’ve touched a nerve. In theater, tales from myth and historical antiquity continue to crop up largely because writers find they contain ever-current truths about the human condition. From Jean Anouilh’s Antigone to Cole Porter’s […]
Read MoreIf you think you’re up-to-date about music in Kansas City but have ignored the world of the pipe organ, you aren’t really seeing the whole picture. Our city now boasts three of the most prominent pipe organs in the country (those at the Community of Christ Auditorium and Temple in Independence, and the new Casavant […]
Read MoreIt’s such common fodder for literature, stage and screen that it’s become almost cliché: two people who spend so much time exchanging verbal barbs that eventually their cohorts have to step in and help them realize they’re “made for each other.” From Pride and Prejudice to Bridget Jones’s Diary (not to mention Leia and Han, or […]
Read MoreIt’s largely by coincidence that the Kansas City Women’s Chorus and the Heartland Men’s Chorus have scheduled their Summer Concerts on adjacent weekends. But it’s win-win for Kansas Citians who care about the intersection of music and social justice: Each of these programs addresses broader issues that can often only be expressed through music. On […]
Read MoreIs opera music, or is it theater? That the best answer to that question is “yes” is part of what makes this art form so intriguing: The struggle over whether “la musica” or “la parola” (the word) should prevail in opera has raged since its inception around 1600. As I watched the Lyric Opera’s production […]
Read MoreTheater about economic disparities will always be current. From the master-servant dynamics of Shakespeare’s plays to close-to-the-bone American tales such as Death of a Salesman or even Stephen Karam’s recent The Humans, most of us can relate to plays in which the struggle to survive forms the very core of the drama. When Darren Sextro […]
Read MoreIf you like Stephen Sondheim’s musicals, chances are you’ll enjoy the Kansas City Repertory Theatre’s finely outfitted production of Sweeney Todd: The Demon Barber of Fleet Street, which runs through April 15th at Spencer Theatre on the UMKC campus. Rep Artistic Director Eric Rosen, who directed the show, has a keen intuitive sense for staging […]
Read MoreIn many ways it seemed inevitable that William Baker should become a choral director. Early in life two of the main strands of his existence, faith and music, began to merge through a series of unexpected events. When he was in his middle teens, a wise pastor coaxed the young Atlanta native back to the […]
Read MoreThe Kansas City Ballet is about to embark on an artistic voyage as challenging as any it has navigated. As part of its 60th anniversary “Diamond Jubilee” season it will present six big, demanding works of contemporary ballet, all brand-new to the company and all to be performed within a two-weekend period at the Kauffman […]
Read MorePeople seldom become opera singers willy-nilly. It’s a step-by-step process not unlike the acquisition of any other professional skill. It’s also an art-form, and thus success can be more elusive. But these days there’s a fairly fixed course of action for a career on the opera stage, and at the center of this process is […]
Read MoreThat Rigoletto is regarded as one of Verdi’s most beloved operas might seem surprising considering what an ugly story it recounts. First performed in 1851 but based on a tawdry Victor Hugo play from 1832 (which was banned from the French stage for half a century), it tells of a mean-spirited jester who serves in […]
Read MoreThe Kansas City Ballet’s New Moves is gradually coming into its own. The project that Artistic Director Devon Carney launched shortly after arriving in 2013 (an outgrowth of a previous series consisting chiefly of works by Company members) mixes works by aspiring KCB choreographers with dances by prominent visiting artists whose professionalism has at times […]
Read MoreIf you still think of Kathleen Battle as an opera singer, you haven’t been paying attention for the last 40 years. It’s true that the soprano, who possesses one of the most naturally beautiful voices of modern times, first made her mark on the world’s opera stages, in Handel, Mozart and bel canto roles for […]
Read MoreClassical music has proven itself to be one of the last bastions of “high-brow” art, but even its stubborn notions of the superiority of cultivated European tradition are giving way. It’s about time, many will say. Violinist Lara St. John is one of a growing number of strictly trained musicians who have, in recent years, […]
Read MoreFor Michael Stern the centenary celebration of musical icon Leonard Bernstein is a personal journey. The Kansas City Symphony Music Director not only grew up around the enormously gifted conductor-composer-pianist, who would have turned 100 this August 25th, but as a child he regularly attended the New York Philharmonic’s legendary Young People’s Concerts. As a […]
Read MoreMention composer Harold Arlen’s name to music lovers and they’re likely to say, “Oh yeah, he was one of those old Broadway guys, right?” But then drop into the conversation such titles such as “Over the Rainbow,” “Stormy Weather” or “Get Happy” and watch faces light up. “Oh, that Harold Arlen.” To help showcase this […]
Read MoreSome might say there are advantages to being the only actor in a play. You wield complete control over the pacing, you don’t have to worry about other players forgetting their lines, and in the case of most one-person shows, the action is finished in 90 minutes and you might even get to a restaurant before the […]
Read MoreKansas City musicians scored extraordinarily well in the 2018 Grammy Award nominations announced on November 28th: seven nominations in all. Congratulations go to the Kansas City Symphony, KC’s mezzo-soprano Joyce DiDonato, UMKC Conservatory Assistant Professor Zachary Shemon, and rap producer/songwriter (and KCK native) J. White. Topping the list is the Symphony’s disc of works by Adam […]
Read MoreChange is almost always frightening, but when it comes to timeworn holiday traditions it can be as terrifying as realizing you left the Christmas turkey in the oven on “high” all night. For arts organizations whose popular yultetide fare provides a substantial chunk of annual revenue, tinkering with it can fill administrators and board members […]
Read MoreEverest possesses something found in surprisingly few contemporary operas: soaring, tastefully singable tunes that stick in your head but avoid the tacky pizzazz of Broadway that plagues so many new operas. Some will admire the piece (by composer Joby Talbot and librettist Gene Scheer) simply for its dazzling physical production and its starkly naturalistic score, […]
Read MoreHearing one musical giant at a concert is a great thing. Two, even better. But three, on the same program? Few events on this season’s calendar stand out quite as much as the appearance of Maestro Valery Gergiev on the Harriman-Jewell Series, with an ensemble from the Mariinsky Orchestra that he has built into a […]
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